Bob commented on Reign of Coal Dec-21-2018 7:09 AM UTC

Open challenge: Find *one* movie where the unsympathetic villain is black and his innocent victims, white. One!

Delete Bob commented on Reign of Coal Dec-21-2018 7:01 AM UTC

Films that don't fall into the acceptable category - "Idiocracy" and "They Live" - come to mind, do well on account of audience demand, not Hollywood promotion or financial returns.

James responded on Dec-21-2018 at 2:53 PM:

Article!

They Live is a true outlier film as a Leftist anti-system horror flick.

Idiocracy split hairs by having Crues as idiot president but depicting low IQ overbreeding as a Caucasian thing.

I can only think of two films.

1.

One is a b-movie from the ots which features the future ebon James Bond, Elba, as a traitor among five mercs, he being the only non-Caucasian, flipping [realistically] on his buddies. Elba was by far the best actor in the film. It was not a totally bad movie, with all the actors pulled from cable TV crime shows and featuring a stunning piece of mixed race ass as a Deep State fixer. I can't remember the title of the movie.

2.

Training Day with Denzel Washington as as the most realistically portrayed unsympathetic villain I have seen in film, and his best role by far, softens his last negative role in two ways:

He screws everybody, his own, Latinos and palefaces.

He is ruthlessly wacked by Russian mobsters, in a way that suggested that Russians would be taking over drug crime in LA and, more realistically, that henceforth, Russians and other Eastern Europeans would provide villains for actions movies. The hand of Deep State script writers is seen strongly here. And ever since, Denzel's movie roles have read like redemptions of this character as he ruthlessly hunts down and slaughters Caucasian villains of unsympathetic type, especially the Russians in The Equalizer.

That's not much, Bob and does not even balance a month of Hollywood film output showing the standard good black bad white narrative. More importantly, these films may represent the last of their anomalous kind.

Note that Unbreakable, the Bruce Willis super hero film, which has Samuel L. Jackson as the villain, 1) makes the villain sympathetic, in that he is a cripple and 2) is being redone to feature an over the top Caucasian Cannibal Crawler villain!

I would like to close with noting that, in today's world, only villains are worthwhile heroes, such as Gerald Butler's role in Law Abiding Citizen, and that system heroes from the POC rainbow, for instance Jamie Foxx as the system hero, played opposite Butler, are vapid compared to the villains. The three people I watched Law Abiding Citizen with and I all cheered on the villain and scoffed at the heroes of law enforcement as they heroically bent, twisted and broke the law in pursuit of their goal of control. As a paleface, I revel in the fact that my kind are depicted as the universal diabolic villain, for only a villain can be a true hero within this sick system. The explicit viewer identification with the villain seems to have begun with slasher horror and most notably The Silence of the Lambs in the 80s and 90s, the fascination with the villainous murderer as sympathetic character, possibly growing out of the hero as killer depicted by Eastwood and Bronson in the 1960s and 70s.

I have actually written much along these lines, with Thunderbird my most recent fictional attack on our sick society.